Don We Now Our Gay Apparel: Loving the Feminine Glamour of ‘8 femmes’
Ozon’s attention to an archly stylized femininity in ‘8 femmes’ spoke to my own idea of what my own gayness could and would be.
This is Your Life, Santa Claus—
Bugsy Malone, Oliver Twist, The Wizard of Oz, Alice in Wonderland.
Place for Us: Essay on the Broadway Musical
you know . . .
Law of Desire Hercules 8 femmes
8 femmesbeas Gabyas Catherine Deneuve.
Manuel Betancourt is a film critic and a cultural reporter based in New York City. His academic work on queer film fandom has appeared in Genre and GLQ, while his work of cultural criticism has been featured in The Atlantic, Film Quarterly, Esquire, Pacific Standard, and the Los Angeles Review of Books, among others. He is a regular contributor to Remezcla where he covers Latin American cinema and U.S. Latino media culture, and Electric Literature, where he writes about book-to-film adaptations. He has a Ph.D. but doesn't like to brag about it.
Enter your email address to receive notifications for author Manuel Betancourt
Confirmation link sent to your email to add you to notification list for author Manuel Betancourt
More by this author
It’s easy to think—as Ray does in ‘The ’Burbs’—that you can know a lot about a person from what they value.
Boxers hide. Jockstraps flaunt. Briefs titillate by the very shape they contour and convey.
When Jack drew Rose like one of his French girls, he didn’t just sketch her; he saw her. It’s a level of intimacy that doesn’t need desire—but that doesn’t make it any less erotic.
More in this series
There are two gay men in “My Best Friend’s Wedding.” There’s Rupert Everett, then there’s the gay man I wanted to be—Julia Roberts’ character, Julianne Potter.
Coming into one’s sexuality, Natalie Portman had taught me, goes hand in hand with learning how to deceive as a means of survival.
I gravitate towards AIDS stories because, behind their righteous anger and torturous despair, they lay out visions of couples and communities.