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A Conversation With PEN America Best Debut Short Stories 2019 Author Pingmei Lan
“It started with a voice—the young narrator telling me about her name.”
EpiphanyTahoma Literary ReviewCrab Orchard Review
That summer when Chairman Mao died I saw a funeral for the first time, a national one. It had gone on for weeks. Everywhere I turned, people were wearing black armbands and making white paper flowers. The usual sea of blue Mao suits seemed to be foaming, churning, shaping into dark and light swells. Thousands of mourning wreaths blanketed Tiananmen Square, eventually spilling down to the sidewalks of Chang’an Avenue. For days, then weeks, it looked like snow in summer.
Then an old farmer came to Beijing riding a donkey cart. He cried over Mao’s body while waving his copy of the Little Red Book. The Chairman looked down at this loyal subject from an old photo hung above the Tiananmen Fort. A half smile flashed permanently between his smooth pink cheeks and bright black beauty mark. The farmer made the news after crying for days and passing out, his fingers brittle and curled over the good book.
I didn’t understand that kind of devotion and grief, having just turned seven that spring. And the only thing I knew about death was from the old maid who lived across the hutong.
“My lover died and came back to life,” she said one day.
I walked away without answering. I didn’t know if she was crazy. I didn’t know if she was talking to me.
More by this author
“When you’re a kid you’re not sure if you don’t know something because you haven’t been taught it or because you’re not supposed to know.”
“I think, in pursuit of truth, science and religion still have to wrestle with the strictures of human knowledge, error, pride.”
“The narration style feels very conversational to me. I liked how second-person really tries to make the reader part of the story as well.”
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“I feel any person who has to deal with losing the one person who is their world has every right to do whatever it takes to self-preserve, even when that includes deflection and denial.”
“For me, I guess fairytales are where I am simultaneously most at home, and most at odds with the world around me.”
“Inspiration came from the stupid pencil jar our family had when I was growing up.”