Dangerous Desire: On ‘Killing Eve’ and Finding Space for Queerness in a Straight-Passing Relationship
I recognize myself in Eve’s character because I don’t think Villanelle is just a woman she’s attracted to. Villanelle represents Eve’s queerness in general.
Thisis, a monthly column by Lilly Dancyger on women coded as villains in pop culture, the power in their badness, and how they shaped fans for good.
in a man
Lilly Dancyger is a Contributing Editor at Catapult and Assistant Books Editor at Barrelhouse. She's also the editor of BURN IT DOWN, an anthology of essays about women's anger, forthcoming from Seal Press. Her personal essays have appeared in Psychology Today, The Washington Post, The Guardian, and more. Her students and private editing clients have published work in prestigious publications, including Rolling Stone, The Guardian, New York Magazine, and Longreads. You can read Lilly’s work here, and follow her on Twitter here.
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Sure, sometimes she went a little overboard, trying to kill the executives rather than merely destroying their empires . . . but she had the right idea.
I blamed my mother for so many things, but I blamed her especially for being a mere mortal when what I really needed was a supreme, supernaturally benevolent being.
More in this series
“Accommodations are things that we need, and deserve, in order to lead our lives. But they’re treated—we are treated—like we’re trying to pull one over on the rest of society.”
Do other people ascribe “luck” to objects? I wondered. Wouldn’t it be far better to finally use this kitchen appliance and truly love it?
Seizing the Means of Enchantment: What Fairy Tales Can Teach Us About Class and Wealth in the Age of the Mega-Corporation
Class systems are not fixed in fairy tales—in fact, fairy tales would almost seem to argue for the redistribution of wealth.