May 10, 2017
The Lie in My Novel
“Where the fiction began—and who was authoring it—was getting confusing.”
“Where the fiction began—and who was authoring it—was getting confusing.”
“I am posting a bulletin from the sanctuary behind that closed bedroom door.”
My first screenwriting gig, a skateboarding chimpanzee, and a hospital cancer ward.
In the quiet forced upon me, I started to hear the voices of other selves.
How I wrote a failed sonnet that turned into my fourth novel.
“I now see fiction—my own and that of others—as work paused but never finished.”
“I now accept that I am forever doomed to learning from my mistakes, whether in crafting a sentence, creating a book, or living out my life. That’s the writer’s burden.”
“My new professor, with his reading list of Central and Eastern European literature, had handed me a vast map with so much good territory to explore.”
“If I could write a eulogy for him, convey his value in a single page of prose, then how could I justify wasting 80,000 words on invented characters whom I felt nothing for?”
“It feels reassuring to write everything you remember, how it all felt. But to write well sometimes involves rejecting reassurance.”
