All that mattered, we told ourselves, was what we saw when we looked in the mirror, what we saw when we looked at each other.
The film contains a pantheon of archetypes, all of them represented in these Indian Panjabi women.
I privately couldn’t get over the fact that she’d even felt comfortable speaking to me that way.
Beds transmute into a form of policing while simultaneously being promoted as an alternative to policing.
The authenticity of chop suey was always the authenticity of survival, of adaptation. And so, like generations of Chinese Americans, chop suey stayed.
In video games, dead parent storylines give a character depth. Their grief becomes a plot point, something to overcome.