More in this series
“I hope people consider the different ways history can be told”: A Conversation with Clint Smith
“Who we are, what our identities and backgrounds and politics are, all of these things animate how we experience a place.”
Counting DescentThe AtlanticThe New Yorker, The New York Times Magazine, The New Republic, Poetry Magazine, The Paris ReviewLast month, we spoke about his path to writing and publishing, the importance of community, how he writes across and blends different genres, and what studying and crafting poetry taught him about prose.
thisI don’t know what this is, but I want to do it.
“I’d never seen spoken-word poetry live. I left thinking, I don’t know what this is, but I want to do it.”
The New Yorker. The New Yorker
The New Yorker
Counting DescentThe Atlantic
How the Word Is Passed
Who are the people in New Orleans and in other places trying to tell a different story?
How the Word Is Passed The Hemingses of Monticello
The book is also, in a sense, an ode to public historians. A historian writes a book that’s intense, deeply detailed, and written for an academic audience. Public historians read those books and translate that into something someone can use on a sixty-minute tour. And I don’t think it’s about which one is better, but about an ecosystem of academic and public historians and tour guides and visitors all engaging with history—we can all be in conversation.
Nicole Chung is the author of All You Can Ever Know, a national bestseller and finalist for the National Book Critics Circle Award, and the forthcoming memoir A Living Remedy. Find her on Twitter: @nicolesjchung
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“Although my main characters find themselves in difficult circumstances, they are not passive. They resist, confront, and sometimes arrive at moments of transcendence.”
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“Sometimes I think this is my only role as an editor: to convince the world, starting with the publisher, that a book should exist.”