Online | Fiction | Workshop

6-Week Online Fiction Workshop: Building Character

Developing characters that compel, fascinate, motivate, and infuriate is the most important work any writer can do. Every character deserves the full attention and compassion of its author, whether that character is an odious narcissist or endlessly kind. There is no character too difficult to write, no state of being too challenging to inhabit, and in this workshop we will do the difficult work of putting ourselves in unfamiliar shoes and walking around until we've found a story. We will learn about using our political and social imagination to write across difference, and we will learn about the distinction between empathetic representation and cultural exploitation. Each student will workshop twice, and will be required to complete additional readings and craft exercises designed to build better understanding of character development. This course is for students who have taken at least one fiction writing workshop before.

CLASS TAKEAWAYS

- intensive peer and instructor critiques on two fiction submissions

- deeper understanding of the distinction between empathetic representation and cultural exploitation

- one private conference with the instructor (via phone call or Skype) to discuss your writing style, goals, and areas for improvement

- the full benefits of the Catapult alumni network; access to a nurturing community of writers and readers and our monthly roundup of publication, residency, and award deadlines, plus a 10% discount on all future classes

- an arsenal of storytelling tools to help you develop fully realized characters

- practical advice about taking the next step as a professional writer - from applying to MFAS to preparing work for submission to agents and publishers

- greater familiarity with contemporary literature

- more confidence as a writer, on and off the page

CLASS STRUCTURE

Week 1: Intro, discussion: what makes a good/compelling/memorable character?

Week 2: Shifting point of view, developing empathy, workshop #1

Week 3: Backstory, how character psychology influences plot, workshop #2

Week 4: Writing across difference, researching character backgrounds, workshop #3

Week 5: How backgrounds influence character, writing from personal experience vs. writing from research, workshop #4

Week 6: Voice and character, how privilege relates to who we can and can't write, workshop #5

Rebekah Frumkin

Rebekah Frumkin’s fiction and essays have appeared or are forthcoming in Granta, McSweeney's,  Pacific Standard  and  Best American Nonrequired Reading. Her novel, The Comedown, will be published by Henry Holt in April 2018. Twitter: @jeansvaljeans

Testimonials

"Rebekah Frumkin is one of my all-time favorite writers to read and to publish. Her voice is incredibly charismatic, surprising, and emotional. She will always hold your attention, and with an almost magical-seeming effortlessness, no matter what she writes about. I’d like her to teach me how to do that."

Profile Photo Yuka Igarashi Editor in Chief, Catapult.co; Editor in Chief, Soft Skull Press

"Rebekah Frumkin's work is not only psychologically astute and beautifully crafted, but in her first novel THE COMEDOWN she inhabits so many different voices with such generosity and authority that, even from the first pages, I knew I was in the hands of a brilliant, undeniable talent. But, perhaps more importantly, it was clear right away that she was a writer interested in telling stories that feel big and broad ranging, stories that challenge and affect us all."

Sarah Bowlin former editor at Henry Holt

"This class inspired and informed who I would later become. I found a love for writing within myself because of this fiction class. The class eventually lead me to try to seek out more of your writing. I was so struck by the clarity and craft. It's something I still aspire to anytime I write something. I had a conversation with someone recently and told them how much this class meant to me and they told me if I truly felt that way I should express my gratitude. I guess ultimately, I just want to say thank you for being awesome and thank you for being an inspiration."

former student

"Rebekah was a dynamic and deeply thoughtful writing teacher. Her comments were always thorough and insightful, as though she understood the written word from within the text. I was an older student when I took her class, and was always humbled by the depth of wisdom she exhibited. Indeed, I never felt anything but complete trust for her judgement when it came to my writing. She didn’t push her perspective or taste onto us, simply gave us the space--and encouragement—we needed to grow."

former student

"Rebekah Frumkin is a writer of deeply impressive imagination and brilliant execution. I’ve read few writers who take such an ambitious and convincing bite of the world.”

Ethan Canin Guggenheim fellow and author of AMERICA AMERICA and THE PALACE THIEF

Week 1: Jul 16-22nd
Class Meeting
Craft Assignment
Week 2: Jul 23-29th
Writing Workshop Assignment
Writing Due:
Feedback Due:
Craft Assignment
Class Meeting
-
Location: Online
Week 3: Jul 30th - Aug 5th
Writing Workshop Assignment
Writing Due:
Feedback Due:
Craft Assignment
Class Meeting
-
Location: Online
Week 4: Aug 6-12th
Writing Workshop Assignment
Writing Due:
Feedback Due:
Class Meeting
-
Location: Online
Week 5: Aug 13-19th
Writing Workshop Assignment
Writing Due:
Feedback Due:
Craft Assignment
Class Meeting
-
Location: Online
Week 6: Aug 20-26th
Writing Workshop Assignment
Writing Due:
Feedback Due:
Class Meeting
-
Location: Online