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What Poison Ivy Can Teach Us About Fighting Climate Change
Sure, sometimes she went a little overboard, trying to kill the executives rather than merely destroying their empires . . . but she had the right idea.
It’s not about whether one march, one protest, one boycott is enough to change everything—it’s about what we lose when we decide ahead of time that it’s not even worth trying.
Truly, Poison Ivy is the hero we need in 2019—full of bold ideas to save the world, and the gall to demand that they’re put into action, no matter how much the powers that be insist it would just be “too hard” to make such big changes. Of course big corporations aren’t going to overhaul the way they produce and ship goods, or switch to more expensive but more eco-friendly products. Coal lobbyists will never throw up their hands and say, “You know what, you’re right, let’s give solar a try.” Someone has to demand change, and refuse to take no for an answer.
Lilly Dancyger is a contributing editor at Catapult, and assistant editor at Barrelhouse Books. She's the author of Negative Space, a reported and illustrated memoir selected by Carmen Maria Machado as one of the winners of the 2019 Santa Fe Writers Project Literary Awards, forthcoming in 2021; and the editor of Burn it Down, a critically acclaimed anthology of essays on women's anger from Seal Press. Lilly's writing has been published by Longreads, The Rumpus, The Washington Post, Glamour, Playboy, Rolling Stone, and more. Find her on Twitter here.
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Dangerous Desire: On ‘Killing Eve’ and Finding Space for Queerness in a Straight-Passing Relationship
I recognize myself in Eve’s character because I don’t think Villanelle is just a woman she’s attracted to. Villanelle represents Eve’s queerness in general.
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In Houston, as with everywhere else, the arts serve as tiny lifeboats—and sometimes, if we’re lucky, we all find ourselves floating together.
Coming into one’s sexuality, Natalie Portman had taught me, goes hand in hand with learning how to deceive as a means of survival.
Like with any immigrant story, this style of cooking is all about telling the story of a family through its subtle gestures, quirks, and out-of-place ingredients.