The Queer Gaze: How the Photography of William Gedney Taught Me to Look
Gedney immortalizes the carefree embraces between bodies of men who lean into one another in gentle, carefree repose.
What Was True,
What Was True
The New Yorker,
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For three centuries, the ghazal has been the most prestigious and popular genre of Urdu poetry.
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I have never been anything but this ragged, medicated self; I have never been less aware of the ground beneath my feet.
I might’ve said too much for a first visit, but Anshu’s warmth had a way of dissolving my worry. To my emotional overspilling, Anshu said she will take care of me from now on.