The Queer Gaze: How the Photography of William Gedney Taught Me to Look
Gedney immortalizes the carefree embraces between bodies of men who lean into one another in gentle, carefree repose.
What Was True,
What Was True
The New Yorker,
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For three centuries, the ghazal has been the most prestigious and popular genre of Urdu poetry.
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“Yes, the border divides . . . but the culture of this place is of one, not two.”