The Minari of My Memory
That plant in a park in Rhode Island delivered the promise that there might be something familiar in this place where everything was new.
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What is lost in a story that chooses to make Brandy a princess and Whitney Houston a fairy godmother despite their Blackness, not because of it?
The filmmaker’s retreat from the conventions of Socialist realism—patriotism, militarism, subservience—becomes a journey to locate the self outside the strictures of state ideology.