Four “Types” of Creative Writing “Careers”
Traditional, stealth mode, performing, or freelance: which approach to a writing career is for you?
In Publish or Perish, Tony Tulathimutte dispenses subjective, unsolicited, and frankly sort of aggro advice on the practical aspects of a building a writing career.
Writing literature and having a writing career are entirely separate things. A writer is an artist whose work may be informed or influenced, but never overdetermined, by the pressures of making money, publishing, and building an audience—that’s a writing career. Writing is pointless if you don’t get to write what you want, even if it’s obscure, difficult, or non-lucrative. But there’s also no reason to assume you’re not clever enough to make a career out of it too.
Donkey Hen Review Mop BucketTin House, McSweeney’s, Harper’s, The Paris Review, Playboy, The New Yorker
VICE, The New Republic, Salon, Slate, GQ, Vogue, Elle, The Atlantic,
Tony Tulathimutte’s novel Private Citizens was called “the first great millennial novel” by New York Magazine. A graduate of Stanford University and the Iowa Writers’ Workshop, he has written for The New York Times, VICE, WIRED, The New Yorker, The Atlantic, The New Republic, N+1, Playboy, The Paris Review, and many others. He has received a 2017 Whiting Award, an O. Henry Award, and a MacDowell Fellowship, and appeared as a guest on Late Night with Seth Meyers.
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I witnessed how easily art might braid to politics, how easily fellowship might inspire movement.