Stone Fruit Season: A Comic
Yes, I dared to eat a peach. And I had to live, so I could eat another.
This is, a column in which Shing Yin Khor explores icons, roadside attractions, and various objects of Americana as part of their effort to find and assert their place as an immigrant within this countrys mythos.
Shing Yin Khor is a cartoonist and installation artist exploring collections, memory, immigrant identity, and new human rituals. They founded the immersive installation art group Three Eyed Rat, which has built large-scale space desert apothecaries, decrepit space salvage stations in the forest, and lumberjack-themed bars.
More by this author
How Did Chop Suey Become a Staple of Chinese American Cuisine?
The authenticity of chop suey was always the authenticity of survival, of adaptation. And so, like generations of Chinese Americans, chop suey stayed.
Get Your Kicks on Route 66: A Comic
I’ll drive with that tender balance of guilt and curiosity and a lifetime of learning and unlearning, still looking for an America that was there, is there, and will be there.
Of Mufflers and Men: A Comic
Adapted and reinvented and reborn—not venerated, but persistent, present, iconic. Is this such a bad fate?
More in this series
Opals Are Said to Make Us Everything We Are All at Once, and There’s Nothing Scarier
I’ve been wondering what my edges really are, and finding they don’t exist. I feel myself shimmer with every conflicting thought.
Acknowledging Tragedy While Finding Love and Joy in AIDS Films
I gravitate towards AIDS stories because, behind their righteous anger and torturous despair, they lay out visions of couples and communities.
Learning the Laws of Desire from Antonio Banderas (and His Briefs)
Boxers hide. Jockstraps flaunt. Briefs titillate by the very shape they contour and convey.
