Why I Love Airports: A Comic
In airports, I have never been a resident alien; I am a traveler, just like everyone else.
This is, a column in whichShing Yin Khorexplores icons, roadside attractions, and various objects of Americana as part of their effort to find and assert their place as an immigrant within this countrys mythos.
Shing Yin Khor is a cartoonist and installation artist exploring collections, memory, immigrant identity, and new human rituals. They founded the immersive installation art group Three Eyed Rat, which has built large-scale space desert apothecaries, decrepit space salvage stations in the forest, and lumberjack-themed bars.
More by this author
I Do Not Want to Write Today: A Comic
I don’t want to write today. I don’t want to write about violence today. I don’t want to write about honor or duty or respect today.
How Did Chop Suey Become a Staple of Chinese American Cuisine?
The authenticity of chop suey was always the authenticity of survival, of adaptation. And so, like generations of Chinese Americans, chop suey stayed.
Get Your Kicks on Route 66: A Comic
I’ll drive with that tender balance of guilt and curiosity and a lifetime of learning and unlearning, still looking for an America that was there, is there, and will be there.
More in this series
How I Learned to Reconcile the Distance Between Experience and Memory
As my mother loses the ability to remember, I find myself playing with my own memory.
When Male Fairy Tale Archetypes Are Used to Promote Harmful Sexual Ideologies
The long and fluid history of fairy tales shows us that men who want to control, dehumanize, and violate women have always existed.
Love and Silence in Asian America
If the world responds to our silence and not to our love, then it teaches us that silence is a condition of our development.
