Putting it Down on Paper: Lyli Feng Catapult Artist for May 2020
I feel like it has made the illustrators' community more connected than I realized before.
When did you know you wanted to become an artist? What has the path looked like to get where you are now?
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A Roundtable With the PEN America Best Debut Short Stories Judges: Tracy O’Neill, Nafissa Thompson-Spires, and Deb Olin Unferth
So many of the stories I liked best played with understatement and a sort of quiet, confident pacing.
“In illustration, we have to understand the writer's mind as much as we can to make the work.”
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Learning to apply my curiosity wherever it’s needed has made my illustration career more fun and maybe more successful, too.
“How am I telling the story, and how am I representing the people in that story?”: Sara Wong, Catapult Artist for December 2019
“It’s not enough to consider the content—how am I presenting the content?”
“It’s important for artists to evolve, to try new things”: Christina Chung, Catapult Artist for March 2020
“At art school, finding ‘A Style’ was the constant and collective struggle of all of us students—trying to find a way to define ourselves and stand out.”