On Houston’s Roadways, We’re All Connected
There’s a motif in Texas that your car is a part of yourself—it’s a coming of age. Where you learn what you’re made of.
What could you do?
Bryan Washington’s debut collection, Lot, is forthcoming from Riverhead Books. He has written for the New York Times, the New York Times Magazine, Vulture, BuzzFeed, The Paris Review, Boston Review, Tin House, One Story, GQ, FADER, The Awl, and Catapult. He lives in Houston.
More by this author
There will be as many different iterations of this storm, and the ones to come, as there are Houstonians. And we have to hear them—they’re what will determine our map for the next one.
It isn’t that we sought to separate the “real world” from the matches—just that, for a time, we had something else to think about.
On watching the World Cup in spite of everything, and finding camaraderie with friends and strangers alike.
More in this series
On a fast-growing city, food as culture, and why you can’t talk about Houston’s cuisine without talking about race.
In Houston, as with everywhere else, the arts serve as tiny lifeboats—and sometimes, if we’re lucky, we all find ourselves floating together.