On Houston’s Roadways, We’re All Connected
There’s a motif in Texas that your car is a part of yourself—it’s a coming of age. Where you learn what you’re made of.
What could you do?
Bryan Washington’s debut collection, Lot, is forthcoming from Riverhead Books. He has written for the New York Times, the New York Times Magazine, Vulture, BuzzFeed, The Paris Review, Boston Review, Tin House, One Story, GQ, FADER, The Awl, and Catapult. He lives in Houston.
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Montrose was unofficially codified as the nexus of queer life in Houston. That’s the part we cared about. If you held a map to the wall, I could tell you how we came to be on those streets.
There will be as many different iterations of this storm, and the ones to come, as there are Houstonians. And we have to hear them—they’re what will determine our map for the next one.
It isn’t that we sought to separate the “real world” from the matches—just that, for a time, we had something else to think about.
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You’re in the city, but you aren’t. You don’t have to spend any money. No one’s asking about your documentation. You don’t have to do much at all except for exist, and open your eyes.
On a fast-growing city, food as culture, and why you can’t talk about Houston’s cuisine without talking about race.