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As an artist, “it’s important to make time for friends and sunshine.”: Meryl Rowin, Catapult Artist for April
“In college, I think there was this idea floating around that a real illustrator worked all night—and if they weren’t, they were half ass-ing it. [Now,] I like to give my brain some time to absorb and to rest in equal measure.”
We are so excited about your work on the upcoming book from Catapult—Eat Joy, edited by Natalie Eve Garrett. Can you tell us a bit about any unique challenges/joys that presented themselves during that project?
Nicole is the Creative Director of Catapult and Counterpoint Press and the co-founder of She Designs Books, an organization that celebrates women in book design. She was formerly VP, Creative Director at Hachette Book Group.
Awards include a Silver Cube from the Art Director's Club/The One Show for Creativity, Communication Arts, Type Director's Club, AIGA/NY, HOW International Design, PRINT Regional Design, the New York Book Show, the National Gold Ink Awards, London International Creative Competition, STEP Design Magazine, and the Publishing Professionals Network.
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“How am I telling the story, and how am I representing the people in that story?”: Sara Wong, Catapult Artist for December
“It’s not enough to consider the content—how am I presenting the content?”
“Always meet your deadlines, do good work, and be easy to get along with.”
“Refrain yourself from throwing things away. Even if you think you’re going nowhere with what you’re creating.”
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“Art is able to go straight to a person’s very core—a place other channels simply cannot reach.”
“Conveying emotions, narratives, stories. This, I believe, is at the core of all art.”
“It’s a great honor to lay eyes on a writer’s work and help give it a visual identity”: Nicole Caputo on Art, Design, and the First Year of the Catapult Artist Program
“Because Catapult is multifaceted, because our content spans so many subjects, it seemed the Catapult Artist program would really be an extension of what the magazine was already doing.”