Cover Photo: photo by Susan Sermoneta/flickr
photo by Susan Sermoneta/flickr

​Into the Cinema, Onto the Page

“Movie buffs, like writers, have no problem with solitude.”

Annie Hall,

Touch of EvilCitizen Kane

Touch of Evil

Touch of Evil

The 400 Blows

(Freaky Friday) The Shaggy DogThe 400 Blows

Cahiers du CinemaThe Birds

Annie HallThe KillingCitizen KaneTaxi Driver

Goodbye, ColumbusThe LandlordThe French ConnectionThe Owl and the Pussycat,

The Gang That Couldn’t Shoot Straight

Mass und Wert

Charlie and the Chocolate Factory

The Gang That Couldn’t Shoot Straight.

Michael A. Gonzales has written essays and articles for The Pitchfork Review, Complex, Best African-American Essays 2010 edited by Gerald Early, Stop Smiling and Ebony.com. Co-author of Bring the Noise: A Guide to Rap Music and Hip-Hop Culture (1991), he has written music journalism for Vibe, Red Bull Academy, The Village Voice,The Wire, and Wax Poetics. His short fiction has appeared in Bronx Biannual, Brown Sugar, Black Pulp and Crime Factory. A columnist for soulhead.com, Gonzales is currently finishing his literary New York City hip-hop novel Boom for Real.