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Flexibility, Distillation, and Immersion: Ellen Weinstein, Catapult Artist for March 2019
Filling that blank space is a mix of excitement and agony.
Recipes for Good Luck The Atlantic The New York Times
Can you tell us a bit about your process from start to final execution?
I start every project with pencil and paper thumbnails, including personal projects. If I am working with text, I like to distill down to one sentence what I want to convey in an image. Once I know what I want to say and the feeling I want to create, I sketch many thumbnails. I need to see an idea on paper to know if it is going to work or not. I paint in gouache and compose the final art in Photoshop.
“waiting and wading in a pool of red.”
And for “How to Move Through the Dark,” it was “mother’s arms at water’s edge.”
Recipes for Good Luck
do you come up with ideas for each?
Nicole is the Creative Director of Catapult and Counterpoint Press and the co-founder of She Designs Books, an organization that celebrates women in book design. She was formerly VP, Creative Director at Hachette Book Group.
Awards include a Silver Cube from the Art Director's Club/The One Show for Creativity, Communication Arts, Type Director's Club, AIGA/NY, HOW International Design, PRINT Regional Design, the New York Book Show, the National Gold Ink Awards, London International Creative Competition, STEP Design Magazine, and the Publishing Professionals Network.
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“How am I telling the story, and how am I representing the people in that story?”: Sara Wong, Catapult Artist for December 2019
“It’s not enough to consider the content—how am I presenting the content?”
“Always meet your deadlines, do good work, and be easy to get along with.”
“Refrain yourself from throwing things away. Even if you think you’re going nowhere with what you’re creating.”
More in this series
“Working for myself is all about balance. Although illustration is my career and passion, I still need to have a life outside of art-making.”
“It’s a great honor to lay eyes on a writer’s work and help give it a visual identity”: Nicole Caputo on Art, Design, and the First Year of the Catapult Artist Program
“Because Catapult is multifaceted, because our content spans so many subjects, it seemed the Catapult Artist program would really be an extension of what the magazine was already doing.”
“It’s important for artists to evolve, to try new things”: Christina Chung, Catapult Artist for March 2020
“At art school, finding ‘A Style’ was the constant and collective struggle of all of us students—trying to find a way to define ourselves and stand out.”