Flexibility, Distillation, and Immersion: Ellen Weinstein, Catapult Artist for March
Filling that blank space is a mix of excitement and agony.
Recipes for Good Luck The Atlantic The New York Times
Can you tell us a bit about your process from start to final execution?
I start every project with pencil and paper thumbnails, including personal projects. If I am working with text, I like to distill down to one sentence what I want to convey in an image. Once I know what I want to say and the feeling I want to create, I sketch many thumbnails. I need to see an idea on paper to know if it is going to work or not. I paint in gouache and compose the final art in Photoshop.
“waiting and wading in a pool of red.”
And for “How to Move Through the Dark,” it was “mother’s arms at water’s edge.”
Recipes for Good Luck
do you come up with ideas for each?
Nicole is the Creative Director of Catapult and Counterpoint Press and the co-founder of She Designs Books, an organization that celebrates women in book design. She was formerly VP, Creative Director at Hachette Book Group.
Awards include a Silver Cube from the Art Director's Club/The One Show for Creativity, Communication Arts, Type Director's Club, AIGA/NY, HOW International Design, PRINT Regional Design, the New York Book Show, the National Gold Ink Awards, London International Creative Competition, STEP Design Magazine, and the Publishing Professionals Network.
More by this author
Learning to apply my curiosity wherever it’s needed has made my illustration career more fun and maybe more successful, too.
“Working for myself is all about balance. Although illustration is my career and passion, I still need to have a life outside of art-making.”
I think what I love about illustration is that there are so many ways to challenge myself.
More in this series
As an artist, “it’s important to make time for friends and sunshine.”: Meryl Rowin, Catapult Artist for April
“In college, I think there was this idea floating around that a real illustrator worked all night—and if they weren’t, they were half ass-ing it. [Now,] I like to give my brain some time to absorb and to rest in equal measure.”
By leaving her job as a lawyer and taking a leap of faith to become a full-time illustrator, Sirin Thada says, “I was finally honoring a part of me that had been there all along.”
“‘Illustrator’ is just the easiest catch-all for many jobs—which again, I’m rather restless so it’s worked out great that I never get bored!”