On the Internet, Everybody Knows You’re a Horndog: On “Beach Rats” and Gay Chat Rooms
Remembering the online world of gay chat rooms in the digital moment before social media.
Manuel Betancourt is a film critic and a cultural reporter based in New York City. His academic work on queer film fandom has appeared in Genre and GLQ, while his work of cultural criticism has been featured in The Atlantic, Film Quarterly, Esquire, Pacific Standard, and the Los Angeles Review of Books, among others. He is a regular contributor to Remezcla where he covers Latin American cinema and U.S. Latino media culture, and Electric Literature, where he writes about book-to-film adaptations. He has a Ph.D. but doesn't like to brag about it.
Enter your email address to receive notifications for author Manuel Betancourt
You have been added to the notification list for author Manuel Betancourt
More by this author
Ozon’s attention to an archly stylized femininity in ‘8 femmes’ spoke to my own idea of what my own gayness could and would be.
It’s easy to think—as Ray does in ‘The ’Burbs’—that you can know a lot about a person from what they value.
Boxers hide. Jockstraps flaunt. Briefs titillate by the very shape they contour and convey.
More in this series
Johnston’s instrumental arrangements and shrill vocal style satisfied a primitive urge in me.
As an autistic child, I scrambled to figure out when my passions became too overbearing, too ‘me’ for other people.