‘Camelot,’ the Hollywood Failure That Taught Me to Live Again
I think now, what is life if not a rather ridiculous, fumbling, histrionic, financially ruinous, unwieldy thing?
Camelot My Fair LadyGigiCleopatra
The Once and Future King
Cyrano de BergeracCamelot
Mishka Hoosen is a South African writer. His debut novel, Call it a difficult night, was published by Deep South Books in 2015. His work has appeared on the Ploughshares Blog, and in Bare Fiction, Plume, Illuminations, Rolling Stone South Africa, New Coin, The Missing Slate, and others. His work mainly deals with questions of desire, the body, the senses, violence, and folklore.
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I learned that kind of hard-won glamour; that we should have beauty, however much the world wants to keep it from us.
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Our fathers may never know us the way we wish they would. And if we learned that ignorance is bliss, it’s because we learned it from them.
The self-regard that came with watching Bergman films helped me feel rich in something, for the first time since arriving in America.
She is the page on which the story is written. Her body is a crime scene, and the victim of the crime, and the perpetrator of a crime, all at once.