More in this series
and though the odds say improbable
they ain’t superhuman. ain’t always able / to save the children the men the country or even your silk presses / but whatever they touch. somebody’s good god blesses.
and though the odds say improbable
into the deli tip-tipping across the coat
of grease on the floor. it’s still warm in October
so they remove their sunglasses. rub their oiled shoulders
remark: so cold in here. one watches purses
while others shimmy to the salad bar. some are nurses
here for conferences. some on lunch breaks
from government jobs downtown. some are flakes.
unemployed. divas. deans. retired. do hair.
edges slick. wand curls crisp in the Freoned air.
they pinch the fainted lettuce onto plates.
they scoop the pitted olives cherries dates
into bowls. the cotton blended florals plaids
prisms paisleys polkas flutter on calves
until they reach their seats. they kiss mustard.
avocado. banana pudding (really just custard
one sways to the soft serve machine and lingers
a little too long but returns with a smile:
a swirl cone done up soda-counter style.
every one of them been through something: sit-ins. bombings.
bussing. the crack epidemic. Reaganomics.
backdoor abortions. miscarriages. picket signs in front
of the free clinic. and now the white girl with the blunt
bob snatching plates too early. they tap her wrist.
give each other the look. say it’s alright miss
’when the black ladies nodded their heads and hoops clip-ons drop-
pearls chandeliers gold nickel earrings twirled
above beautiful elbows. not a care in this old world.
republic been crumbled. Black Wall Street crash
’bout a century ago. they leave together. their laughter is brash
and openly secretive (you bet’ not ask). perfume wafts.
they wave. say alright girl i’ ll be seeing you. one coughs
and i pray it’s just the cold air the pollen the pepper
little piece of meat stuck in her throat. the black ladies better
have a blessed day month year life. i mean it the opposite way
they meant it whenever they have to say
it to coworkers. husbands. customers. the demon board
(child i meant deacon). as i leave i touch the table
where they sat. they ain’t superhuman. ain’t always able
to save the children the men the country or even your silk presses
but whatever they touch. somebody’s good god blesses.
Destiny O. Birdsong is a Louisiana-born poet, fiction writer, and essayist whose work has either appeared or is forthcoming in Poets & Writers, The Paris Review Daily, Boston Review, African American Review, and elsewhere. Her debut poetry collection, Negotiations, was published by Tin House Books in October 2020, and was longlisted for the 2021 PEN/Voelcker Award for Poetry Collection. Her debut novel, Nobody's Magic, is forthcoming from Grand Central in February 2022. She earned both her MFA and PhD from Vanderbilt University.
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More in this series
On the occasion that i die before i’m thirty,
there must be no mention of my migration or bravery; / if anyone reads poetry, let it only be an ode to green-tea donuts
Corrective State
The people behind bars are captives of war / The people stolen into camps and cages / speak it plain
RATIONING SWEETGRASS
a steadfast soul-birth, tried and true / this is where you sing creation into being