Finding the Right Face for Charlotte in ‘Charlotte’s Web’
In insisting on an anatomically correct Charlotte, E. B. White was playing with fire: People hate real spiders.
This is , a column by Abby Walthausen that explores the nature of book illustration and the way images can shape the text for the reader.
If something isn’t cute, no need to love it.
Some Pig!Terrific. Radiant. Humble.
Abby Walthausen's writing has appeared in The Public Domain Review, The Paris Review Daily, The Atlantic, Zocalo Public Square, Atlas Obscura, Common-place, Mutha, Extra Crispy, LARB, Electric Literature, and LitHub. Fictional work has been published by Gigantic, Vol. 1 Brooklyn, the Made in LA anthology, Santa Monica Review, Gulf Stream, and is forthcoming in Sycamore Review . She lives in Echo Park, Los Angeles where she guides a tour about twentieth-century printmaker Paul Landacre, and is at work on a novel, ST. CYR.
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Maybe Beardsley’s illustrations are divergent because he, like everybody else, couldn’t quite understand what Wilde was going for in the play.
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We foster passionate spaces that are beholden to identities in formation and reworking. So, naturally, these spaces can get tense AF.
Do other people ascribe “luck” to objects? I wondered. Wouldn’t it be far better to finally use this kitchen appliance and truly love it?
It was a corny, educational joy, as if Bill Nye and Monty Python had teamed up to teach America how to cook.