The Handbook for the Recently Deceased
In the film ‘Beetlejuice’, death is exaggeration. To die is to become a different size, to be viewed as grotesque by an outside observer.
This isScaring Children, a column by A. E. Osworth that explores children’s horror media from the nineties and early aughts through the lens of queer adulthood.
Wait a fucking second.
Crap. Crap crap crap.
Beetlejuice
Handbook for the Recently Deceased
That is what happens when they die.
Handbook for the Recently Deceased
am
can’twon’t
Beetlejuice
Beetlejuiceis
Beetlejuice
Beetlejuice
can’twon’t
That’ll do
A. E. Osworth is part-time Faculty at The New School, where they teach undergraduates the art of digital storytelling. Their novel, We Are Watching Eliza Bright, about a game developer dealing with harassment (and narrated collectively by a fictional subreddit) was long listed for The Center for Fiction First Novel Prize. They have an eight-year freelancing career and you can find their work on Autostraddle, Guernica, Quartz, Electric Lit, Paper Darts, Mashable, and drDoctor, among others.
Enter your email address to receive notifications for author A. E. Osworth
Success!
Confirmation link sent to your email to add you to notification list for author A. E. Osworth
More by this author
On Grifters
Everyone deserves to have a seat at the table, and that seat can’t be tricked away from us by some faithless cis white politician’s grift. At least it shouldn’t be.
What, Exactly, Is Queer Literature?
Once I gave queer authors the keys and stopped worrying about what, exactly, queer literature meant, my students’ work taught me something about what queer literature actually is: a lens on the world.
After the Green Ribbon
The story of the girl with the green ribbon was once a generic tale of horror. Now, it is about about gender.
More in this series
We Go to the Park to Go Somewhere Else: On Houston’s Green Havens
You’re in the city, but you aren’t. You don’t have to spend any money. No one’s asking about your documentation. You don’t have to do much at all except for exist, and open your eyes.
The Mothers and Their Daughters; The Leavers and the Stayers
I love to be a leaver. To be the one that steps out into the unknown, even as I am terrified.
Dear Irene, I’m Still Learning How to Be a Feminist Too
To be a K-pop fan is to bear witness to a whole lot of dumb shit.