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A Conversation With PEN America Best Debut Short Stories 2019 Author JP Infante
“When you’re a kid you’re not sure if you don’t know something because you haven’t been taught it or because you’re not supposed to know.”
Kweli Journal, The Poetry Project, Uptown Collective, Dominican Writers, POST(blank)The Manhattan Times
You’ve thought about jumping.
It’s a cold winter night. You sit next to Queeny on your fire escape. The cars on the freeway come and go like waves. The lights from the George Washington Bridge reflect off the Hudson River like the shine in glassy eyes. The river is a giant bathtub without a ship or boat to save anyone who might be drowning.
Your babysitter, Nilda, says suicide is like killing someone, and if you were to survive jumping off the fire escape, the police would arrest you for attempted murder. If you do try killing yourself, you plan to live through it because suicide only works if you survive. Nilda laughed when you told her the attempt is meant to get people’s attention. She laughed because it’s true.
You feel the cold wind. Look at the buildings across the river in New Jersey. They are far apart with too much space in between. There’s no space between you and Queeny because you both need the warmth.
They used to call you Minene, and, before that, Chungo, even though your birth certificate says another name. Your stepfather, who’s been away at school for three months, calls you son. Son, get me the TV controller. Son, listen to your mother. Son, stop talking about your heart.
School Days The Curious Incident of the Dog in the Night Time
The Aster(ix) Journal
Digging Through the Fat: A Literary & Arts Journal for Cultural Omnivores
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“I think, in pursuit of truth, science and religion still have to wrestle with the strictures of human knowledge, error, pride.”
“The narration style feels very conversational to me. I liked how second-person really tries to make the reader part of the story as well.”
“I slowly connected the dots that nearly all my friends—no matter what continent we had been on—had experienced some level of sexual violence.”
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“I wanted to address old-age sexuality, which is in general completely unmentioned in Taiwanese society.”
“I feel any person who has to deal with losing the one person who is their world has every right to do whatever it takes to self-preserve, even when that includes deflection and denial.”
“The themes of social justice, the magic of water, and the power of queer love to create a different world—these are themes that I return to again and again in my writing and my life.”