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A Conversation With PEN America Best Debut Short Stories 2018 Author Maud Streep
“You can fall in love with a place in a way that’s just as made-up and selective as how you fall in love with a person.”
PEN America Best Debut Short Stories 2018hunting trip in Montana.
I met Jake working at a ghost town in western Montana the summer I turned twenty-two. I had just graduated from Yale and was “doing something different.” Jake played a cowboy, and my best friend Liza and I played whores. We leaned over wooden balconies to holler at the tourists, our white cotton chemises pulled low over corset-hoisted boobs. Every day at noon and four, Jake broke up a gunfight in the street while Liza and I fanned our jaded faces. We bunked in a long-stay motel at the edge of town and spent our nights drinking in our rooms, on the roof, in the parking lot out back. I’d sit by Jake and feel the space between us go live.
One night we hit an emergency: Liza ran out of cigarettes. Jake had bummed too many the night before. I told him I would come along for the ride. We were still in our work clothes, so after I’d backed him up against the door of his truck, and after he’d helped me into its bed, it took some concentration to lose the chaps and stays. And then, naked behind the gas station in the light-stained August twilight, free from all that, I thought: I could wear this sweat forever.
PEN American Best Debut Short Stories
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“The most innocent thing you can do is want to create”: Robert J. Dau Prize Winner Isaac Hughes Green
Learn about Isaac Hughes Green’s short story “The First Time I Said It,” which was selected for ‘Best Debut Short Stories 2021.’
Learn about Amy Haejung’s short story “Maria,” which was selected for ‘Best Debut Short Stories 2021.’
“We spend too much time thinking about how we are different and not enough time thinking about how we are similar.”
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“When writing this story, I was thinking explicitly about a tendency in players to play games as murderous kleptomaniacs.”
“When you feel like you have no power in a relationship, withholding becomes one of the only ways you can maintain the illusion of agency.”
“The narration style feels very conversational to me. I liked how second-person really tries to make the reader part of the story as well.”