A Conversation With PEN America Best Debut Short Stories 2018 Author Drew McCutchen
“I like melancholy and characters with weighty histories. I fell in love with Daniel. But I fall in love with all my characters.”
Baltimore Review Pleiades Magazine. Fifth Wednesday Journal
I had to eighty-six Daniel three times from beneath the overpass, hit my clipboard against his dirty blue tent, and wait for him to crawl out of his sleeping bag before he agreed to see his daughter. He’d been dead for sixteen years and back for nine months then. He’d done the usual reanimation cycle: shower off the dirt, six months in rehab, iris repair, tongue ligimentry, and then booted out on his own with the address of a group home and fifteen hundred dollars from Uncle Sam. Within four days he and his roommates were dragging their mattresses out to the backyard and burying themselves in the dirt. He didn’t get up, just lay there. He lost his job, lost his housing, and then got turfed to the streets. He was a typical zombie, and thus a typical zombie case, which made him my responsibility, or, to be more specific, made him my case: Case 7, Daniel Hedrig.
Every week there is some new theory out there by a scientist or mental health expert who comes up with a strategy for how to deal with the dead. Not how to deal with the problem of the dead. That’s a political conversation left to twenty-four-hour news channels and presidential candidates. But instead, how to deal with the individual dead. This issue is debated in academic journals, daytime television programs, and just about every single religious newsletter—both print and online versions.
Man V. Nature
More by this author
“You can fall in love with a place in a way that’s just as made-up and selective as how you fall in love with a person.”
“I feel any person who has to deal with losing the one person who is their world has every right to do whatever it takes to self-preserve, even when that includes deflection and denial.”
“I have always been fascinated by the idea of women being monstrous and beastly because it ruptures the dominant Patriarchal ideal of the shy woman.”
More in this series
“I started thinking about immoral women, women who are not merely complicit counterparts to A Bad Man but active participants in cruelty.”
“The idea here is the casual way children can accept and parrot this kind of simple, black-and-white math about worth. So much so that in a pinch they are willing write off their own mother!”
“I love that our stories are beginning to get the attention they deserve, but that’s not enough for me. I want more.”