Trans Voices Belong in the Recording Booth Too
Contributing to the small body of trans-narrated, trans-written audiobooks felt both personally affirming and politically necessary.
This isThe Sound of My Voice, a series on the craft, process, and stakes of recording audiobooks.
Is this really what my voice sounds like?
Myra BreckinridgeNevadaDetransition, BabyMyra Breckinridge
As a result, Talusan said, people often perceive her voice as that of a cis woman unless she deliberately increases her chest resonance while speaking. Her vocal fluidity helped her challenge the expectation that voices “should” sound particular ways based on gender. This quality was also a boon to listeners. The rare opportunity to hear a trans voice brings our books to life by adding an intimate dimension that fleshes out the work. Voice and voice quality go beyond literary devices like “tone.” They can be a storytelling tool, itself in service of honoring trans experiences and stories.
C. R. Foster is a queer, nonbinary trans writer from Portland, Oregon. Their critically acclaimed short story collection Shine of the Ever is available from Interlude Press.
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