Launched This Week: October 17th-21st
A roundup of stories from our week together at Catapult.
JD Ho on what it was like to work in a
It was a place that could have existed without me, but I would not be who I am without it. It gave me a lifelong love of unusual vegetables and the belief that I should grow everything I eat. It was a place ruled by seasons, ruled by history, created by hardship and exploitation, maintained by biophilia. It’s a place that wouldn’t exist if not for slaves.
Chloe Caldwell is tired of being asked .
Fantasian, and how she learned to break a few rules and listen to herself.
In which the author discovers that one of her ancestors owned :
I want to start the long walk down this road, carrying with me the deeds of my ancestors. I want to ask the questions that lead to more questions, I want to open all of the doors, and all of the doors behind them. I want to stop swimming through the dark water and sink, all the way down, until I know what’s been hidden there.
But this is not about what I want. This is not about what I need.
Finally, check out instructor on teaching, Catapult’s new online course platform, and what a good fiction workshop offers students. (You can find a full list of Catapult’s on-site and online classes here!)
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“It’s a great honor to lay eyes on a writer’s work and help give it a visual identity”: Nicole Caputo on Art, Design, and the First Year of the Catapult Artist Program
“Because Catapult is multifaceted, because our content spans so many subjects, it seemed the Catapult Artist program would really be an extension of what the magazine was already doing.”