“I only draw when I’m bursting to say something”: A Comics Roundtable
“Drawing is like handwriting; everybody has their own style, and this style is like a person’s own unique aesthetic voice.”
Liana Finck's cartoons appear regularly in Her first graphic novel, was published by Ecco Press in 2014. She posts cartoons on Instagram @lianafinck.
Amy Kurzweil’s graphic memoir(Catapult/Black Balloon 2016) debuted this month. Her cartoons appear in the and other places, and her short stories have been published in The Toast, and elsewhere. She teaches writing and comics at Parsons and the Fashion Institute of Technology.
MariNaomi has been making comics since the nineties, and has so far penned the graphic memoirs , and When she's not making comics, essays and videos, she and her husband manage the Cartoonists of Color and Queer Cartoonists databases.
(The following roundtable discussion was conducted via email and edited for clarity and length.)
The New Yorker
’t not frown. For my book, an attempt to understand my grandmother’s history, this kind of physical empathy seemed apt.
Twisted SistersTwisted Sisters 2Fun Home, BlanketsMaus Strong Eye Contact
“”Maus Fun Home PersepolisRaw Magazine BreakdownsDykes to Watch Out For
One! Hundred! Demons! A Child’s LifeGraphic WomenHow Come Boys Get to Keep Their NosesThe Arab of the Future
The Art of Memoir
I haven’t gotten used to complete strangers knowing my business yet. It’s surreal, but I don’t hate it. If anything, I find it beautiful when someone thinks they know me because they know my work, and deem to share intimate parts of their life with me as a result.
’t communicate in the usual ways growing up. I was too shy, or weird, or something. Drawing has never been private for me; it was always the only non-private thing. I never made comics as a hobby; I chose the medium consciously, as an adult, when my parents and teachers and classmates stopped being the right audience for my drawings, and I needed an audience and a more concrete medium I could plug into. I wouldn’t write a story I didn't want to share.
“those around me”“accurate,” or when my mother, a private person, told me that she believes the stories and messages in my book are for a wider audience to learn from.
Nicole Chung is the author of the national bestseller All You Can Ever Know and Catapult’s digital editorial director. Her writing has appeared in The New York Times, The New York Times Magazine, GQ, The Guardian, TIME, and Vulture, among others. Find her on Twitter: @nicolesjchung
Enter your email address to receive notifications for author Nicole Chung
Confirmation link sent to your email to add you to notification list for author Nicole Chung
More by this author
“Who we are, what our identities and backgrounds and politics are, all of these things animate how we experience a place.”
Editor-in-Chief Mensah Demary on Growing Soft Skull Press as a Literary Home for Creative, Risk-Taking Writers
“Sometimes I think this is my only role as an editor: to convince the world, starting with the publisher, that a book should exist.”
“If you do it well, science writing trains you to grapple with uncertainty, to embrace nuance, to run toward complexity, to try hard to make sense of the world.”