Open-Genre | Intensive

Writer’s Winter Break 2020

Get out of the cold, hone your craft, and achieve your publishing goals in a festive atmosphere—and in the company of today's top literary agents and inspiring, successful authors.

Catapult and William Morris Endeavor invite you to spend five days (Jan. 22 - Jan. 26) at IMG Academy in beautiful Bradenton, Florida, just south of Tampa and on the Manatee River, for one of the most unique writing conferences in the world.

Join Amy Bloom, Chloe Benjamin, Jean Kwok, Héctor Tobar, Meg Wolitzer, and many other award-winning and bestselling novelists, journalists, poets, essayists, and memoirists for a revitalizing blend of carefully curated social, educational, and creative events all tailored around the writing life. There will be everything from panels to lectures, workshops to agent meet-and-greets, alongside networking events and other social programming. Unlike conferences that focus purely on craft or only on the publishing industry, our Writer's Spring Break will offer emerging and experienced writers alike the opportunity to dive deep into their creative work while developing meaningful relationships to help kickstart a career as a published author. Focus on your manuscript, connect with your peers, find new mentors, receive detailed feedback from leading literary writers, learn how to launch and navigate a writing career, and forge transformative connections with agents and other key players in the industry.

It wouldn't be January in Florida without beach time, so you can count on that, too! With a book in hand, of course.

If you have questions about Writer's Winter Break, please be in touch: [email protected]

CORE WORKSHOPS

Four sessions. Three hours each. Ten writers maximum. One incredible faculty mentor. Your core workshop will provide a creative and social foundation for your packed schedule of networking and dynamic literary programs.

Explore the descriptions below to find the opportunities that suit your writing priorities best. Shortly after your admission costs are paid, you will receive an online registration form to rank your workshop preferences. Our staff will confirm your core workshop via email no later than December 6, 2019. Workshops are filled first come, first served—so sign up now by selecting "TAKE THIS CLASS" at the top of this page!

Generative Fiction | Meg Wolitzer

Fiction | Amy Bloom

Fiction | TBA

Nonfiction | Richard Panek

Nonfiction | TBA

Novel | Jean Kwok

SAMPLE DAILY SCHEDULE

Most days will resemble something like what we’ve outlined below. Plan to arrive by Wednesday afternoon, in time for a dinner-hour program, and to depart no earlier than Sunday afternoon, after your final workshop session and a farewell lunch (provided).

9 am- 12pm: Core workshop

12:30 - 1:30pm: Working lunch panel (provided)

1:30 - 3pm: One-on-one meetings with workshop faculty and/or WME agents, Manatee River outing

3:30 - 5pm: Héctor Tobar craft lecture

5 - 7pm: Eat, drink, and be literary: dinner and faculty reading

7 - 9pm: Page to stage screening and talk, followed by cocktail reception (provided)

ADMISSION COSTS

Regular $2,500 admission includes passes to all events, including special seminars and group outings, plus a one-on-one pitch or information session with an acquiring literary agent or editor. Reception drinks, daily lunch, and unlimited coffee throughout the week are also included. The deadline to pay admission costs is December 1. Simply select "TAKE THIS CLASS" at the top of this page.

Note: Early bird admission is still available! Only the first 20 registrants will have the opportunity to enroll at our early bird pricing of $2,100. Enroll now!

VISITING WRITER BIOS

Chloe Benjamin is the author of The Immortalists, a New York Times bestseller, and The Anatomy of Dreams. A Barnes & Noble Discover Great New Writers selection, LibraryReads favorite, and #1 Indie Next pick, The Immortalists was a named a best book of 2018 by NPR, The Washington Post, Entertainment Weekly, and others. The Anatomy of Dreams received the Edna Ferber Fiction Book Award and was long listed for the 2014 Center for Fiction First Novel Prize. Her work has been translated into over thirty languages. Originally from San Francisco, CA, Chloe is a graduate of Vassar College and the M.F.A. in fiction at the University of Wisconsin. She lives with her husband in Madison, WI.

Jean Kwok is the award-winning, New York Times and international bestselling author of Searching for Sylvie Lee, Girl in Translation, and Mambo in Chinatown. Her work has been published in twenty countries and taught in universities, colleges, and high schools across the world. An instant New York Times bestseller, Searching for Sylvie Lee was selected for the Today Show Book Club and featured in the New York Times, Time, Newsweek, CNN, the New York Post, the Washington Post, O Magazine, People, Entertainment Weekly, and more. Jean has been chosen for numerous honors including the American Library Association Alex Award, the Chinese American Librarians Association Best Book Award, and the Sunday Times Short Story Award international shortlist. Jean immigrated from Hong Kong to Brooklyn when she was five and worked in a Chinatown clothing factory for much of her childhood. She received her bachelor's degree from Harvard and completed an MFA in fiction at Columbia University. She currently lives in the Netherlands.

Héctor Tobar is the Los Angeles-born author of five books, including the novels The Tattooed Soldier and The Barbarian Nurseries. His non-fiction Deep Down Dark: The Untold Stories of Thirty-Three Men Buried in a Chilean Mine and the Miracle that Set Them Free, was a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize: it was also a New York Times bestseller and adapted into the film The 33. The Barbarian Nurseries was a New York Times Notable Book and won the California Book Award Gold Medal for fiction. Tobar's fiction has also appeared in ZYZZYVA and in Best American Short Stories. He earned his MFA in Fiction from the University of California, Irvine, and has taught writing at Pomona College and the University of Oregon. Currently, he is an associate professor of Chicano/Latino Studies and English at UC Irvine. His other books include the nonfiction Translation Nation: Defining a New American Identity in the Spanish-Speaking United States. His books have been translated into ten languages, including French, German, Portuguese, Italian, and Mandarin. As a journalist, he was a foreign correspondent with the Los Angeles Times in Buenos Aires and Mexico City, and a part of the reporting team that earned a Pulitzer Prize for coverage of the 1992 Los Angeles riots. Tobar has also been an op-ed writer for the New York Times and a contributor to The New Yorker, Smithsonian, and National Geographic. He is the son of Guatemalan immigrants. Farrar, Straus and Giroux will publish his fifth book, the novel The Last Great Road Bum, next year.

Meg Wolitzer is the New York Times bestselling author of The Interestings, The Ten-Year Nap, The Wife, and other books. Her latest novel, The Female Persuasion, was named to various Notable and Best Books of 2018 lists, including in The New York Times, The Washington Post, The Atlantic, People, Glamour, and Kirkus Reviews. She was the guest editor of The Best American Short Stories 2017, and has also published books for young readers, including To Night Owl From Dogfish, co-written with Holly Goldberg Sloan. Wolitzer is currently a faculty member in the Stony Brook Southampton MFA program, where she co-directs BookEnds, a one-year, non-credit intensive in the novel. The recent, critically-acclaimed film based on her novel The Wife starred Glenn Close and Jonathan Pryce.

AGENT BIOS

Suzanne Gluck is a literary agent and Global Co-Head of the WME Literary Department. Suzanne has represented over 100 New York Times bestselling books across a wide variety of genres. Her client list includes Stephen Dubner and Steven Levitt of Freakonomics; Min Jin Lee, acclaimed author of Pachinko; Meg Wolitzer, bestselling author of The Female Persuasion and The Wife; author of Searching for Sylvie Lee Jean Kwok, radio host and author Kurt Andersen, and generation-defining children’s author Judy Blume.

Margaret Riley King is a literary agent at William Morris Endeavor, where she began her career after graduating from Princeton University. She represents both literary and commercial fiction, along with narrative nonfiction, memoir, and lifestyle titles in the areas of food, home, faith/spirituality, and well-being. Clients and projects represented include Chloe Benjamin, author of the New York Times bestselling novel The Immortalists; Glennon Doyle, author of #1 New York Times bestseller and Oprah Book Club pick Love Warrior; Laura Moriarty; Ann Kidd Taylor; Cammie McGovern; New York Times bestselling author Nadia Bolz-Weber; Newbery Award winner Sheila Turnage; Annie Grace; Emily Henderson; Rachel Brathen; Kristin Cavallari; Jessie James Decker; Michael Symon; Ruthie Lindsey; Hannah Bronfman; Karlie Kloss; and Kristen Howerton; among others. She splits her time between her hometown of Nashville, Tennessee, and New York City. 

Jay Mandel has been a literary agent at WME since 2001. He began his career at The Writers Shop (née the Virginia Barber Literary Agency) in 1994. Among the clients he represents are iconic science writer Mary Roach, the twice Booker shortlisted Pakistani novelist Mohsin Hamid, essayist and novelist Sloane Crosley, the author of the international bestselling thriller I Am Pilgrim Terry Hayes, historian Alexis Coe, award winning Australian journalist Christine Kenneally, Atlantic contributor David Frum, syndicated columnist Jonah Goldberg, mathematician/writer Jordan Ellenberg, data scientist Cathy O’Neil, documentarian Ken Burns, the creator host of the podcast 99% Invisible Roman Mars, co-host of the podcast Call Your Girlfriend Aminatou Sow, and the Estate of Young Adult novelist Ned Vizzini. He lives in Brooklyn with his wife, two sons and a needy but lovable labradoodle named Rita. 

Eric Simonoff is a literary agent and Global Co-Head of the WME Literary Department. Among the clients he represents are Jhumpa Lahiri, Phil Klay, Edward P. Jones, Jonathan Lethem, ZZ Packer, Daniel Alarcón, Patina Gappah, Philipp Meyer, Stacy Schiff, Sam Lipsyte, Yaa Gyasi, Douglas Preston, Lincoln Child, Carl Zimmer, Mary-Louise Parker, Trenton Lee Stewart, Calvin Trillin, Buzz Bissinger, Karen Thompson Walker, Stephen Chbosky, Jessica Shattuck, Ariel Levy, The New Yorker Magazine, and many others. In 2016 he received the Maxwell E. Perkins Award from the Center for Fiction. 

Catapult and William Morris Endeavor

Catapult publishes award-winning fiction and nonfiction, offers writing classes taught by acclaimed emerging and established writers, and produces an award-winning daily online magazine. 

William Morris Endeavor is one of the leading entertainment and media companies with an unparalleled list of artists and content creators. WME represents internationally bestselling authors, critically acclaimed literary writers, award-winning journalists, and thought leaders, including Chrissy Teigan, Oprah Winfrey, Emma Straub, Alice Munro, Malcom Gladwell, Jacqueline Woodson, Tom Clancy, and more. 

Testimonials

“Don’t Write Alone is one of the best investments, both in terms of time and money, I’ve made for my writing in the past few years. The access I had to professionals and decision-makers was really unprecedented and helped me to think about my fiction and navigating this industry in ways I really hadn’t been exposed to elsewhere.”

Don’t Write Alone 2017 participant

“Don’t Write Alone 2017 was a great opportunity to learn from established authors, network, and mingle with fellow writers with a wide variety of experience, and get some writing done that I had been putting off for, let’s be real, months.”

Don’t Write Alone 2017 participant

“Thought the whole workshop and weekend was just fantastic. So many awesome writers to talk with and that made themselves accessible. I loved the panels, I loved how informal it was, and I will recommend it to others and be back next year. Thank you for creating such a safe community!”

Don’t Write Alone 2017 participant

“It's hard to pick a favorite part of the weekend because I got so much out of every single panel and speaker you presented. I was surprised how much I got out of the presentation on how to write dialogue. I got to thinking about writing dialogue in new ways after that presentation. I also loved the discussion with the two first-time authors at the end of the day on Saturday.”

Don’t Write Alone 2017 participant

“I had an amazing time at DWA and made several new friends throughout the weekend. It really jumpstarted my creativity, helped me get back into a routine of writing, and was just super fun and invigorating. Thanks for putting together an awesome event and for curating a super-smart lineup of guests.”

Don’t Write Alone 2017 participant

"The whole weekend was positive. It was so much more than I thought it was going to be when I signed up."

Don't Write Alone 2018 participant

"I left feeling incredibly inspired. I was encouraged personally by people in my field and that really shored up my inspiration to continue the project I'm working on. I would recommend this weekend for anyone feeling stuck in the later stages of a project they really want to finish."

Don't Write Alone 2018 participant