"Elisa did an incredible job of structuring the course, balancing an introduction to translation theory with time to workshop our work. She packed an incredible amount into a fairly short course, and did a great job facilitating the flow of discussion as well as encouraging us in our projects." - Lola Arellano-Fryer, former student
Ever wanted to translate but didn’t know how or where to start? This class is primarily geared to writers who have never translated before or who are just getting started in the process.
Beginner translators should have a basic or working knowledge of another language, but they definitely need not be fluent or even comfortable speakers. You can translate from any language, but all students will be translating work into English. And if you want to translate poetry but are an essay writer, it doesn’t matter! Translation is a fun and unique opportunity to dive into literary styles other than your own.
To hone translation skills, I will guide you in how to negotiate with the original language and text, shape a voice, and dive into the art of revision. You will also read literature in translation and respond to what works or doesn't, as well as compare multiple translations of the same work (i.e. The Odyssey).
After this class, you'll have a deeper understanding of the translation landscape. We will read texts by translators who have written about their process, such as Kate Briggs, Susan Bernofsky, John Keene, and others. You will get a range of perspectives on how to approach the craft and the politics of it, from Walter Benjamin's The Task of the Translator to David Bellos' playful and insightful Is That a Fish In Your Ear?.
This class will meet over our video chat platform. You will need to use Google Chrome and a computer to join your class meetings.
- Feel comfortable enough to say that you are now a translator
- Translate either two shorter works or one longer work
- Make an informed, thoughtful decision of which authors you are translating and how
- Access to Catapult's list of writing opportunities and important submission deadlines, as well as a 10% discount on all future Catapult classes
WEEK 1: Read and Respond to Literature in Translation—the first step to becoming a translator. Assigned reading and in-class discussion on why translation matters.
WEEK 2: There Are Many Ways to Translate the Same Thing. Get started with translation exercises and look at canonical works that have been translated many times.
WEEK 3: Choose a Writer You’d Like to Translate. Read about the politics of translation: Who gets translated, and who gets left out?
WEEK 4: Just Go for It: Translate the text you’ve chosen. Workshop #1.
WEEK 5: How to Consider the Original Author, Living or Dead: The translator's relationship to the author. Workshop #2.
WEEK 6: How to Revise, Pitch, and Publish Your Translations. Workshop #3.
Elisa Wouk Almino is a writer, editor, and literary translator from Portuguese. Currently the L.A. senior editor at Hyperallergic and editor of Harlequin creature's online translation platform, her writing and translations have appeared in Guernica, Paris Review Daily, The Millions, The Nation, Hyperallergic, and Words Without Borders, where she was formerly the book reviews editor. She has published Ana Martins Marques' translated poetry in the book This House, which Elisa also illustrated. She is the editor of a monograph on the artist Alice Trumbull Mason (forthcoming Spring 2020).
"I absolutely loved Elisa's teaching style—she was professional, warm, approachable, informative, and helpful. Her syllabus and assigned readings were so thoughtful and really gave me a new insight into the field of translation. She goes above and beyond and I saw that she was totally invested in our progress and the class. I completely recommend her as a teacher and would love to work closely with her in the future."
"I truly cannot say enough about Elisa as an editor. I am a freelance writer and work with many different editors at many different publications, and always feel that Elisa brings an exceptionally sharp mind and thoughtful perspective to my work. I trust her absolutely, and find that she has the dual ability to edit for content and tone, as well as grammar and the ever-needed typo-check! I am tremendously grateful to her for always strengthening my writing, and communicating about our shared work in a prompt, professional, conscientious, and positive way. She will be an asset to ANY organization. "
"Elisa has been my editor for the past three years at Hyperallergic. Thanks to her guidance, my writing has remarkably improved. She excels at explaining the nuances of techniques in an approachable yet intelligible way, and because of her guidance I can now happily report that I am a staff writer there."
"Elisa Wouk Almino was my first editor when I started freelancing at Hyperallergic three years ago, and I immediately enjoyed working with her. She approaches each piece with criticality and candor, and having her edit a piece is always an approachable lesson in strengthening and streamlining my writing. She also treats editing as a collaborative process, seeking real input from her writers, which in my experience is quite rare. It's something many editors don't seem to have the time or desire to do, and Elisa does it with care."
"THIS HOUSE is a remarkable selection of work by Ana Martins Marques, tracking the day and the night, the light and the dark, in ways I feel a profound sympathy with. The excellent translations by Elisa Wouk Almino are a further offering to us, wonderful renditions."
"Faucet, fruit bowl, lantern, and clothesline undergo a reexamination in this colorful selection of poems from Brazilian author Ana Martins Marques’s three previous books. Brightened by intermittent illustrations, these poems invite readers into their own world. THIS HOUSE is a book driven by translation, personal in English and Portuguese alike and ready to take on new hues with each reading."