Online | Fiction | Workshop

6-Week Online Fiction Workshop

In this class for fiction writers with prior workshop experience, students will craft two short stories and discuss outside works as we parse the mechanics of fiction, and what exactly makes a story. Through reading one another's work and studying the craft of writers like Jamaica Kincaid, Haruki Murakami, Sandra Cisneros, Amelia Gray, and Junot Díaz, we'll leave these weeks a little further along in our understanding of how to make a narrative stick. We've all got a plethora of tools at our disposal to share our stories—in this course, you'll hone yours just a little bit sharper. By the end of the course, every writer will have two workshopped stories (or excerpts from longer works) and a more nuanced understanding of how to craft compelling and effective short stories.

COURSE TAKEAWAYS:

- peer and instructor critiques on two short pieces

- greater familiarity with writers of literary fiction

- next steps on revising submitted fiction 

COURSE SKELETON:

Week 1: Introductions

Week 2: Beginnings, Self and Peer Editing, Readings

Week 3: Form and Structure, Weight, Readings

Week 4: Tension, Climaxes, Readings,

Week 5: Denouements, Themes, Readings

Week 6: Fooling Around, Submitting Your Work, Review

Bryan Washington

Bryan Washington’s debut collection, Lot, is forthcoming from Riverhead Books. He has written for the New York Times, the New York Times Magazine, New York Magazine, BuzzFeed, The Paris Review, Boston Review, Tin House, One Story, GQ, FADER, The Awl, and Catapult. He lives in Houston.