Increasingly, the walls between the subjective and objective in nonfiction are crumbling. Journalists today often choose to include themselves in their own stories. Traditional media and digital outlets are frequently commissioning personal essays to inform readers in spaces once reserved for more traditional reported pieces. This is also an exciting moment for nonfiction generally. Some of the most innovative and powerful literary artworks being published right now are essays, whether brief or book-length.
In this course, students will be introduced to a variety of exemplary contemporary essays. We’ll focus on ones that are formally innovative, especially ‘hybrid’ essays that mix the observed/remembered with the reported/researched. We'll explore what writers working in either or both of these modes should take into consideration. Students will each have two workshops and one individual meeting with the instructor. They’ll come away from this course with a developed sense of their own potentials as essayists, an increased appreciation of the genre as a whole, and an understanding of where and how to pitch pieces like these.
- introduction to formally innovative essays that mix the observed/remembered with the reported/researched, and practical tools for using these models to tell your own stories
- greater sense of what to take into consideration—ethically and interpersonally—when writing true stories about real people, both strangers and loved ones
- increased understanding of potential venues of publication for pieces as these, as well as practical things to keep in mind (reporting best practices, how to be prepared for fact check)
- thoughtful, intensive peer and instructor feedback on two essay submissions
- access to a nurturing community of writers and readers, and an engaged mentor who is an expert in the field
- one productive, personal conference with the instructor to discuss your writing style, goals, and areas for improvement as well as individualized advice about pitching / placing pieces
Sandy Allen writes and talks about gender, normalcy and radical mental health. They are the author of A Kind of Mirraculas Paradise (Scribner), a formally innovative, critically acclaimed work of hybrid literary reportage and memoir, named one of the best nonfiction books of the 2018 by Esquire. Sandy's essays and features have been published by Guernica, Lit Hub, them., Gay Magazine, 99% Invisible, Bon Appétit's Healthyish, Pop-Up Magazine, and BuzzFeed News, where they used to be Deputy Features Editor. A graduate of Brown, Sandy received an MFA in nonfiction from the University of Iowa.
"Sandra's is one of the most rewarding classes I've ever taken. Her enthusiasm is contagious and her standards are high — making for lively discussions and razor-sharp edits. She brings an impressive depth of knowledge and genuine passion to the table, and makes you excited to do the work at hand. Sandra challenged me where other teachers hadn't, and I'm a far better writer for it."
"Sandra Allen will whip your writing into the best shape of its life."
"Sandra Allen is an expert level editor whose precision and empathy brought my essay to its highest potential. Thanks to her work my BuzzFeed essay, 'I Had a Stroke at 33' went viral and led to a 2 book deal with Ecco / Harper Collins."
"Sandra is one of the best editors I've worked with in my career. She not only made complicated stories sharper and clearer, but was always willing to patiently listen to my neuroses."
"Sandra Allen's essays and reporting often do the impossible—get at the very human issue inside a bigger, unexamined idea. I am always learning from her writing; she keeps me in awe."