Nonfiction | Memoir | Workshop

4-Week Nonfiction Workshop: Beginning Your Memoir

You have a memoir to write—a true story seized from the beautiful chaos of everyday life. The question you face now is how to uncover its shape and give it full-throated voice, the ability to sing. Do you just start at the beginning and write through to the end? What is the beginning, anyway? And once you’ve finally got moving, how do you keep going?

This four-week course is for beginning memoirists. It uses a combination of in-class exercises, short homework assignments, and group critiques to introduce students to the basics of memoir writing, including scene, structure, and narrative arc. Each writer will have one opportunity to submit their work for peer critique. Writers will leave with a deeper understanding of how to transform lived experience into effective memoir.

COURSE TAKEAWAYS:

- How to discover and explore your material

- How to do research

- How to think about structure and create an outline

- How to write scenes

- How to create a writing schedule and set goals 

- Access to Catapult's list of writing opportunities and important submission deadlines, as well as a 10% discount on all future Catapult classes

COURSE EXPECTATIONS:

- In-class generative writing exercises

- Quick homework assignments between classes

- A 7-10 page piece of memoir submitted for workshop critique

- The careful reading and critique of you classmates’ workshop submissions

Robert Anthony Siegel

Robert Anthony Siegel is the author of a memoir, Criminals: My Family's Life on Both Sides of the Law (Counterpoint). He has also published two novels, All Will Be Revealed (MacAdam/Cage) and All the Money in the World (Random House). His work has appeared in The New York Times, The Los Angeles Times, Smithsonian, The Paris Review, Tin House, The Oxford American, and other venues, and has received O. Henry and Pushcart Prizes among other awards. His website is www.robertanthonysiegel.com.

Testimonials

“Clear-eyed, openhearted, and possessed of a stunning moral and emotional intelligence, CRIMINALS takes its place alongside Geoffrey Wolf’s THE DUKE OF DECEPTION as an essential American family chronicle.”

Matthew Specktor author of AMERICAN DREAM MACHINE

“Robert Anthony Siegel has written a poignant and hilarious memoir about growing up in the crosshairs of culture and crime, with parents who believe the humiliation of a stint in jail can be assuaged with a serving of escargot. It is a unique and beautiful life story, the sort of highbrow literary memoir Robert’s art-aficionado mother would swoon over.”

Elizabeth Cohen author of THE FAMILY ON BEARTOWN ROAD

"The level of discourse was challenging and interesting and I think part of the reason for that was the casual atmosphere of discussion, fostered by Robert. When people are allowed to speak in an open, non-threatening environment, wonderful things happen."

former student

"Robert's unique skill as a teacher comes from his enthusiasm not only for talking, which is present in many talented professors, but for listening... He has a reputation for being the best kind of teacher: generous, knowledgeable, demanding, and always at the ready with excellent advice."

former student

"...A richly detailed and seedily seductive narrative."

PUBLISHERS WEEKLY on ALL WILL BE REVEALED

"...Well-turned and elegant...Gloriously complex..."

ATLANTA JOURNAL-CONSTITUTION on ALL WILL BE REVEALED

"Early in this novel, there is a wonderful scene—rich with embarrassment—in which Louis Glasser, the altogether unlikely hero, helps his Harvard-educated son buy a new suit. The son’s fortunes founder, but that’s nothing compared to the perils that overwhelm his father—a lawyer who operates on the margins and becomes the target of a criminal investigation. Siegel’s … portraits (loving and otherwise) of the Glassers, New York prosecutors, and various lowlifes are right on the money."

THE NEW YORKER on ALL THE MONEY IN THE WORLD

"Full of richly drawn characters and jolting plot twists—Glasser’s time behind bars is especially chilling—Siegel’s debut novel works both as a parable of how quickly the high and mighty can fall, and as gripping drama. 'Money' well spent."

NEW YORK POST on ALL THE MONEY IN THE WORLD