Writing a novel is hard, but there are clear and practical steps a writer can take to demystify the process and get their story onto the page. In this twelve-week online master class for writers at every stage of the novel-writing process—from the first couple of chapters to full draft—we will attempt to understand the mechanisms through which novels are made. Due to the intensive nature of our work together, this class is limited to six writers.
In the first weeks, we’ll set the parameters for our discussion both in terms of what you hope your projects to be as well as the lenses through which we will help you hone and develop them. You should already have your project in mind and at least a few pages of your work-in-progress, but the class will be built to facilitate the creation of new work as much as to shape that which has already been written. We welcome all genres of writing and all forms of novel. The goal of this class is to come to each project on its terms, and to learn from all the various forms of storytelling how to tell ours best. We will alternate weeks between craft discussions—character, structure, plot, POV and tense—and workshops in which we discuss the first 50-100 pages of two students’ manuscripts. Unlike other workshops you may have taken, in these early classes the writer will be an engaged member of the conversation while their submission is being discussed. We will work to help each writer figure out not only what they hope the project to be, but how they might make it that. We will set up clear goals for each writer and clear parameters for our conversations moving forward in order that we might all be equally invested in helping each writer to make the book they’ve always dreamed of writing.
The second half of the class will be single writer workshops. We will be reading up to 300 pages, either starting at the beginning again, or from the point of the previous submission. These discussions will occur in two parts: one, the more traditional conversation with the class, without the writer’s input, discussing the reader experience and analyzing both the ways in which the book succeeds as well as where it needs more work. We will then open the conversation to the writer to ask questions and clarify as needed, while working to establish a clear path moving forward toward a completed manuscript.
Students will meet with the instructor via phone following each of their two workshops for specific, private feedback as well as an in-depth conversation about the workshop discussion, and also to set a plan in place for the work ahead, along with more practical querying/publishing concerns.
Writers will leave this class with a first (or eighth or fifty-seventh) full draft of a novel as well as the necessary tools to make the final draft the book they hope to make.
Students who complete this class will also be invited to a moderated agent panel over Zoom, during which agents who represent literary fiction will discuss the publishing industry and will answer questions from Catapult students. Panels will be offered by Catapult at least four times a year and students will receive an invitation to attend the next panel following the end of their class.
To apply, please submit the first chapter of your novel-in-progress (up to 25 pages). Writers should be prepared to workshop 25-100 pages of their novel drafts by the time the course begins.
Class meetings will be held over video chat, using Zoom accessed from your private class page. While you can use Zoom from your browser, we recommend downloading the Zoom desktop client so you have access to all platform features.
Jennifer Close is the best-selling author of Girls in White Dresses, The Smart One, and The Hopefuls. Born and raised on the North Shore of Chicago, she is a graduate of Boston College and received her MFA in Fiction Writing from the New School in 2005. She worked in New York in magazines for many years and has taught creative writing at George Washington University for the past 8 years.
“Hilarious. . . . A pleasure to read. . . . [Close] has a light, precise touch about the way a young marriage works when the partners are caught between old ideals and new realities.”
“Inspired by Close’s own experiences moving to Washington for her husband’s work on the Obama campaign, The Hopefuls is blisteringly honest about the circus of American politics and Washington’s exhausting culture of competition—one that that renders people outside of political circles virtually invisible.”
“I couldn’t put down this juicy novel, which is all about what striving to make it in politics does to relationships.”
“Captivating. . . . Close, whose husband worked on Obama’s campaign, uses her knowledge of this world—and her experience as an outsider—expertly. Beth’s conversational narration feels like peering into the diary of someone who shares your deepest insecurities.”
“New York newlyweds head to D.C. to—what else?—chase their dreams. Actually, just Matt’s dreams. His wife, Beth, isn’t all that impressed by the surrounding political haughtiness until she meets another couple, Jimmy and Ash. The Hopefuls will make you rethink inviting your best married friends over for dinner.”