How Ambiguous Endings Lure Us In
Ambiguity in fiction, when done well, is not an escape hatch for the noncommittal writer. It’s an articulation of something otherwise impossible to articulate.
Afsheen Farhadi's short fiction and essays have appeared in Ploughshares, The Southern Review, Colorado Review, Witness, The Rumpus, The Millions, Redivider, Vol. 1 Brooklyn, The Florida Review, and elsewhere. He has a PhD in creative writing from the University of Cincinnati, where he was a Provost Graduate Fellow, and is currently a Hughes Fellow in Creative Writing at Southern Methodist University.
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Ambiguity in fiction, when done well, is not an escape hatch for the noncommittal writer. It’s an articulation of something otherwise impossible to articulate.
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